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홍지순 프로필 사진

홍지순

Hong, Jeesoon

인문대학

중국문화학과

Web Of Science Scopus ORCID

2007

2026

연도별 연구 활동 현황

전체 55건 중 1번부터 10번까지의 결과를 표시합니다.

2026

Conference

The Ritual of Memory and Reframing of Family in Dead to Rights (南京照相馆, Dir. Shen Ao 申奥, 2025)

홍지순

2026-01-09

Conference

Critical Global Studies Graduate Program, Sogang University, Seoul, Korea

홍지순

2026-01-08

Article

가족 사진과 기억 의식(儀式) — ≪난징사진관 南京照相馆≫ 영화 읽기

홍지순

2026-01
중국어문논총
중국어문연구회

2025

Conference

NI ZAN (倪瓚)’S YIQI (逸氣) IN LING SHUHUA’S TRANSLATIONS:FROM LITERATI TRANSCENDENCE TO MODERNIST BOREDOM

홍지순

2025-11-04

Conference

Accessible Modernism: Translation and Visuality in Ling Shuhua's Autobiography

홍지순

2025-01-12

2024

Conference

Between Virtualities: Time Travel in Someday or One Day (想見你 2019) and �A Time Called You (너의 시간 속으로 2023)

홍지순

2024-07-31

Article

Modernism and Vitalism: Rereading Ernest Fenollosa’s The Chinese Written Character as a Medium for Poetry

홍지순

2024-01
중국어문논총
중국어문연구회

2023

Conference

Memory and Gender in Chinese Autobiographical Films: Hong Kong Family (過時·過節 Dir. Tsang Hing Weng Eric 2022), Farewell, My Hometown (再見，樂園 Dir. Wang Erzhuo 王爾卓2021) and The Cloud in Her Room (她房間裡的

홍지순

2023-06-26

Conference

The Postsocialist Sublime of Xinwen lianbo (CCTV Evening News of China)

홍지순

2023-01-07

Article

Planned News of Postsocialist China Xinwen Lianbo’s Coverage of the COVID-19 Pandemic in the Early Phase, January and February 2020

홍지순

2023-01
중국어문논총
중국어문연구회

상세 보기

홍지순

자료 필터

자료유형

발행연도

키워드

언어

The Ritual of Memory and Reframing of Family in Dead to Rights (南京照相馆, Dir. Shen Ao 申奥, 2025)

Critical Global Studies Graduate Program, Sogang University, Seoul, Korea

가족 사진과 기억 의식(儀式) — ≪난징사진관 南京照相馆≫ 영화 읽기

NI ZAN (倪瓚)’S YIQI (逸氣) IN LING SHUHUA’S TRANSLATIONS:FROM LITERATI TRANSCENDENCE TO MODERNIST BOREDOM

Accessible Modernism: Translation and Visuality in Ling Shuhua's Autobiography

Between Virtualities: Time Travel in Someday or One Day (想見你 2019) and �A Time Called You (너의 시간 속으로 2023)

Modernism and Vitalism: Rereading Ernest Fenollosa’s The Chinese Written Character as a Medium for Poetry

Memory and Gender in Chinese Autobiographical Films: Hong Kong Family (過時·過節 Dir. Tsang Hing Weng Eric 2022), Farewell, My Hometown (再見，樂園 Dir. Wang Erzhuo 王爾卓2021) and The Cloud in Her Room (她房間裡的

The Postsocialist Sublime of Xinwen lianbo (CCTV Evening News of China)

Planned News of Postsocialist China Xinwen Lianbo’s Coverage of the COVID-19 Pandemic in the Early Phase, January and February 2020