확장된 비평 형식으로서의 오디오비주얼 에세이 연구

초록

The purpose of this paper is to examine the possibility of audiovisual essay as the form of an expanded criticism. Audiovisual essay refers to the use of re-edited images and sounds to carry out the work of analysis, appreciation or critique of cinema texts, and is also variously called as 'digital criticism', 'videographic film/moving image studies', etc. The changes of media circumstances as the basic condition of our lives have also affected the way of writing including 'writing about art' and 'art criticism'. The concept of ekphrasis, which had been defined as “the verbal representation of visual representation”, now encompasses more expanded areas such as all kind of writings about images, activities beyond the border between creation and criticism, reactions about visual works of art from the non-professional public, and even the area of multimedia. The expansion of ekphrasis is connected to the film criticism as well. In the age of the internet, the traditional sense of criticism based on the print format went through 'the discourse of crisis' and 'the discourse of death'. In this situation, audiovisual essay is functioning as a form of expanded criticism. In this expansion, cinema as an object of criticism doesn't stay in a fixed place and the relation between the criticism and the object of criticism has been changed.

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