K-pop Transnational Music Video Duets as a YouTube Phenomenon -Authenticity and DIY Performative Music Video Aesthetics of “APT” and “When I Get Old”-

초록

YouTube’s videographic hegemony regarding the global dissemination and reception of music videos has significantly contributed to K-pop music videos’ global success. It has also impacted notions of authenticity regarding the singer/songwriter celebrity with their fan base. This article analyzes how two music videos, “APT” by Rosé from the Korean girl group “Blackpink” with the American musician Bruno Mars, and “When I Get Old” by Chung Ha, formerly from the Korean girl group IOI, and Danish singer Christopher, are prominent examples of what I coin are “K-pop Transnational Music Video Duets” in their casting of a Korean musician with an international one. By doing so they create a transnational dialogue of musical expression that recognizes but transcends national and linguistic barriers. They embody a “DIY” (Do It Yourself) ethos of low budget aesthetics to eschew ornate production values in exchange for expressing the music artists’ youthful vitality and inventiveness through their informal and minimalistic constructions.

키워드

유튜브K팝초국가주의연예인퍼포먼스 뮤직비디오DIY 미학.YouTubeK-poptransnationalismcelebrityperformance music videoDIY aesthetics.
제목
K-pop Transnational Music Video Duets as a YouTube Phenomenon -Authenticity and DIY Performative Music Video Aesthetics of “APT” and “When I Get Old”-
저자
마이클 엉거
DOI
10.34269/mitak.2025.1.47.002
발행일
2025-05
유형
Y
저널명
영상기술연구
1
47
페이지
23 ~ 43